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Whether they are called ''carnavales'', ''charangas'' or ''parrandas'', large public celebrations dating at least (in Santiago de Cuba) as far back as the 17th century are common throughout Cuba. However, among Cubans, the ''Carnaval'' of Santiago de Cuba enjoys a special status (Pérez I 1988:20). The history of Carnival in Cuba has been nuanced by a wide variety of interests and influences. Based on a Herskovitsian retention model, a retardataire analysis might stress a continuous historical connection with Africa. But carnival cannot be explained only in terms of its African roots. Many of the practices and events within carnival culture are deliberately and consciously framed to connect to a construct of African’s that has resulted from over one hundred years of multicultural Cuban history.〔Judith, Bettelheim. “African Arts.” ''Negotiations of Power in Carnaval Culture in Santiago de Cuba.'' UCLA James S. Coleman African Studies Center: April 1991. 68. Print.〕 Carnival has always been an expression of shifting power negotiations among various aspects of Cuban society. == Origin of the '' Carnaval'': ''Mamarrachos'' == Carnival (Spanish “''carnaval''”), a pre-Lenten festival commonly held in Roman Catholic countries, became popular in Spain from the middle of the 16th century, was presumably brought to Cuba by Hispanic colonists (Pérez I 1988:15) and has been the basis for traditional celebrations in Cuba ever since (for example, ''Carnaval habanero''). However, what is today called the ''Carnaval'' of Santiago de Cuba is not a manifestation of pre-Lenten carnival, which would be celebrated in February or March, but evolved out of the summer festivals formerly referred to as the ''(Fiestas de) mamarrachos'' (Brea and Millet 1993:193).〔Sg. and pl.; from Arabic ''muharrig'' “clown.” () Various meanings in modern Castilian. “Historically, a group of masked or costumed persons who danced rhythmically in the streets following the ''parrandas'' or ''comparsas'' during the major festivals in July. These characters originally gained such importance in the Santiago carnival that carnival itself became identified as the ''Fiesta de mamarrachos'', and was thus called until the present century.” (Brea and Millet 1993:193)〕 ''Mamarrachos'' were held on June 24 (St. John’s () Day), June 29 (St. Peter’s Day), July 24 (St. Christine’s Day), July 25 (St. James the Apostle’s Day) and July 26 (St. Anne’s Day). “Celebrations based on a religious pretext were always, at least in the case of the larger festivals, lacking in the liturgical character they were originally intended to have. From the written and oral sources, it seems that the so-called Days of St. John, St. Peter, St. Christine, St. Anne and St. James the Apostle were merely generic names which stood for days of public jubilation and diversion, totally lacking in the theological or liturgical meaning which it was convenient to feign, above all, during the days of the colonial government.” (Pérez I 1988:22) The main activities were music, dancing and consumption of large quantities of alcoholic beverages. (Pérez I 1988:24, note 1) The precise age and origins of the ''mamarrachos'' are unknown. The word "''mamarrachos''" itself does not appear in records until 1757 (Pérez I 1988:28). The festivals themselves are recorded as early as 1679, but certainly date from earlier on (Pérez I 1988:24). There are two theories about the origin of the summer festivals of Santiago. One is that they resulted from a gradual extension of more traditional European festivals, including ''carnaval'' (Pérez I 1988:21)〔Fernando Ortíz, in "Las comparsas populares del Carnaval habanero" in Estudios Afrocubanos, vol,V, La Habana, 1954-6, p.132, observed that there is a chain of festivals that extends from Christmas Eve to the Spring Equinox, probably having their ancient origins in agricultural rites. Ortíz was referring specifically to the city of Havana, but these festivals are common to all Spanish-speaking cultures.〕 Another theory is that the ''mamarrachos'' of July 24-6 had their genesis in the procession of St. James the Apostle, who is the patron saint of Santiago de Cuba (del Carmen et al. 2005) (). The two theories are not mutually exclusive (see also below "Winter Carnival vs. Summer Carnival"). 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Carnival of Santiago de Cuba」の詳細全文を読む スポンサード リンク
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